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Mariachi El Bronx (III)
“I don’t want to make a mariachi record,” guitarist Joby J. Ford said to vocalist Matt Caughthran when songwriting began for what would become the 3rd eponymously titled LP from Los Angeles’ Mariachi El Bronx. The singer responded aptly with a pensive “I don’t either,” and a tone was seemingly set.
The next few months saw the band scrapping more material then they kept. It’s an interesting time when an artist, which had previously re-imagined its sound once (see American hardcore punk band, The Bronx), attempts to re-imagine their signature sound yet again. On (III) the focus to excel as a tradition ensemble have disappeared. The teetering of can or cannot is brazenly disregarded and the genre playbook sits idly next to the instruments it used to command – dusty and unread.
This time around the band approached writing from a different direction. They dusted off old sequencers, synths, and an ARP and began to create soundscapes they would tack their music against – hammering and bending parts against each other in order to create a harmonious environment. Energized by this fusion of traditional melodies and modern ambience the band decided to follow the imaginary rabbit down its hole and embraced the sonic mash. Rather then make a mariachi record they aimed to create a mariachi inspired album.