All ages

presented by Numbskullshows.com

Buy tickets here

*under 21 includes admission ticket + one complimentary bottled water voucher

Ben Nichols is best known as the frontman and songwriter for the long-running Memphis rock band Lucero. Now, at age 50, he is releasing one of his most personal pieces of work, a rare solo album titled In the Heart of the Mountain.

After getting a history degree in his home state of Arkansas, Nichols moved to Tennessee and started Lucero in 1998. Since then, the band has released 12 studio albums and kept up a constant touring schedule throughout the U.S. and overseas. 

In 2008, Nichols started playing more solo acoustic shows and was part of Chuck Ragan’s original “Revival Tour”. The same year he released his first solo effort, The Last Pale Light in the West. 

The Last Pale Light in the West was a seven song concept album inspired by and written about Cormac McCarthy’s novel Blood Meridian. A copy of the vinyl record is kept with the Cormac McCarthy Papers at Texas State University in San Marcos, Texas. The title track was used in an episode of the TV show The Walking Dead (season 4, episode 6). The album was primarily acoustic guitar and Nichols’ vocals with piano and accordion by Rick Steff and pedal steel and electric guitar by Todd Beene. 

In the Heart of the Mountain is Nichols first solo album since The Last Pale Light in the West. Although not a concept album, the song titles in sequence do read as a kind of poem.

“A few years ago, a stranger mailed me a copy of What About This, Collected Poems of Frank Stanford. He sent it because he knew I was from Arkansas and Stanford had lived and died in Arkansas and he thought my lyrics shared something in common with those poems. Frank Stanford died in 1978 at the age of 29. Even at the age of 50, I’ve never read much poetry, but there was something about Stanford’s writing I fell in love with. Not because it reminded me of my own lyrics, but because it made me want to write. There was something alive and dangerous in his words. Nothing safe about the way he wrote. Soaked in Southern tones but not backwards, more unconventional and pushing at the edges of Southern decorum.  It was mythology and everyday life, it was an exotic landscape and it was home. It was not quite like anything I’d read before.